author: Claudia Meléndez Salinas
Piñata Books / Arte Público Press (2015)
grades 9-up
Mexican American
California journalist Claudia Meléndez Salinas’s A
Fighting Chance, published in fall 2015 by the Piñata Books imprint of Arte
Público Press, is a fine example of what small presses offer. This book breaks
the rules of conventional young adult literature and in doing so gives teen
readers a broader social and cultural perspective.
While focusing on her protagonist Miguel Ángel, a
17-year-old boxer from Salinas, California—the town best known for its
connection to the twentieth-century author John Steinbeck—Meléndez Salinas also
tells a story of class relations and a community fighting for dignity and
survival. Miguel Ángel is the oldest of five siblings. His mother works hard in
the fields, but she cannot support her family by herself, so he has to work at
a supermarket full-time while attending school and working out at the local
community center, the Packing Shed. Coach is trying hard to keep the Packing
Shed open in the face of budget cuts because he knows it’s the only alternative
keeping teens from gang life.
And Miguel Ángel, Coach’s shining star, is no saint. At a
match in a neighboring well-to-do community, he fell in love with wealthy
Britney, they had unprotected sex, and now she’s pregnant. To see her, he has
to borrow his best friend Beto’s truck, but Beto, a gang member, now wants
something in return.
By shifting points of view from Miguel Ángel to Britney to
Coach and a local politician torn between her career and doing what’s right,
Meléndez Salinas shows teen readers that their lives don’t exist in a vacuum.
The Mexican-American residents of Salinas struggle against stereotypes of their
community as violent and undeserving of help. Through Miguel Ángel and his
family and Coach’s sacrifices, we see a more nuanced picture—young people
resisting gangs, parents who want the best for their children, children who
contribute with pride to their family’s survival. For instance, Miguel Ángel,
never a strong student, knows that working full-time while struggling to finish
high school will allow his more academically gifted younger sisters to
concentrate on their studies and attend college.
A Fighting Chance
is not a perfect book. While the Mexican-American characters reflect the
diversity of individuals and families, the white characters do not. Britney’s
father in particular is a complete villain, taunting, insulting, and wreaking
physical violence on his two daughters’ Mexican-American boyfriends whom he
sees as “beneath them.” In the end, he abuses his daughter as well.
Through the omniscient narrator, readers are able to see the
broader social forces working for and against the characters. A
Fighting Chance frequently refers to Steinbeck’s classic novels, and
it hearkens back to that tradition—big stories told through the experiences of
ordinary people, stories that motivated their readers to think about their
lives and society in general and to fight for real change. Today, we need more
of these stories. A Fighting Chance is recommended.
—Lyn Miller-Lachmann
(published 1/7/16)
This review, in a slightly different form, first appeared in
The Pirate Tree
(thepiratetree.com). We thank The Pirate Tree for permission.
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