Showing posts with label Poem. Show all posts
Showing posts with label Poem. Show all posts

Nueva Generación



Jóvenes muchachos
Niñas mujercitas.
Adolecentes todos.
Llenos de vida y esperanza.

¿Quien eres? te preguntan.
¿Mejicano?
¿Salvadoreña?
¿o Guatemalteco?

¿Mexico Americana?
¿Chicano?
¿Hispana?
¿Latino?




American citizen?
Illegal alien?
Indocumentado.

¡Tantas preguntas!
¡Que confusión!
Solo venemos
con toda esperanza
buscando una vida
Mucho más mejor.

¿De adonde viniste?
¿De adonde eres?
¿Adonde naciste?
¿Adonde vas?

Busco a mi madre
quizàs mi padre
Trabajan duro
como burros,
o peor—esclavos.
Papá de obrero,
Mamá de gallinera.


(Y no tienen papeles,
confiesas con una voz
casi silenciosa
como la de un ratóncito
en el sotano.)

Eso no importa, te contestan
y te invitan
a leer tu mundo nuevo, 
a cantar tu própio mundo
Lleno de sagradas alabanzas 
de esa poesía que es la nuestra: 
Neruda, Mistrál, Martí, Alarcón, Tafolla, Paredes, Carmona, Pérez.

¿Los conoces? te preguntan.
Ven. Acá. Acércate aquí
a este temple de voces sagradas
escritas especialmente para tí.  
 
En donde puedas acariciar 
la Palabra,
cuando sientes
que te habla.

Diles que quieres saber todo sobre
el mundo entero.
Que quieres leer
recitar y escribir tu mundo
como cuando primero
se creó el Quinto Sol. 

Ven, jóven. 
Ven.
Acércate 
a la féria de estos benditos libros.
¡Son tuyos también! 
Tus mejores amigos
Que te darán vida
Y toda esperanza 
para un mundo
mucho más mejor.


—Oralia Garza de Cortés

(published 7/18/16; revised 10/26/17)

Author's note: Nueva Generación was inspired by my work as Co-Chair of REFORMA's Children in Crisis Project, collecting and delivering books in Spanish for unaccompanied refugee children from El Salvador, Honduras and Guatemala detained at the border.    

© 2016 Oralia Garza de Cortés
All Rights Reserved.
c/s
    

Alphabet

for the Librotraficantes y tod@s indi@s; Nimasianexelpasaleki to Leslie Marmon Silko

1.
Literacy starts with flesh
ripped from the backs of my ancestors,
inscriptions by whips of soldiers,
a priest who doesn’t care to delegate,
scars scrawled at Indian Boarding Schools,
whips and clubs across knuckles, buttocks, shoulders, knees:
learn this holy language, it will make you
civilized.

Scars written in wide lines laid out by leather straps.
Scars sketched thin but deep,
cowhide tipped with sharp iron barbs.
Scars, thick as rope, fattened on infection and fever:
alphabet of blood and bruises.

2.
A: broken pieces of our lives they call artifacts. B: iron bound around our wrists. C: the cupped hand that takes. D: demonic grin at our cries of pain. E: the rake to excise weeds from the earth. F: the key to padlocked fences. G: the open maw of genocide. H: the locked gate of our hearts. I: government-issued identification required. J: the shovel that jabs at our graves. K: a boot kicking us into the next relocation. L: the club that lashes us into submission. M: the path of our migration off your maps. N: for nits (they make lice). O: we have no word for ownership. P: a salute between soldiers at the prison: Q: the quick breath of hope slipping out. R: the rifle to hold back the ravenous savages. S: slick blood sliding down a cheek. T: the oak tree where they hang us. U: go back where you came from, only it’s not there anymore. V: the plow that validates the land, vindicates murder. W: barbed wire winning the west, or white fangs of a witch. X: the crucifix that could not save us from itself. Y: yes from a forked tongue. Z: the place they aim to drive us: Zero.

3.
Spain and Mexico, France, England. The many-headed Roman alphabets of syphilis: miscarriage, sterility, madness. Alphabets of terror, of adobe, our own prison made from the mud of our own land, mixed with our own feet. The alphabets of walls: this alphabet we never asked for. They “gave” it like a parasite in our guts, shackles around our wrists, gags in our mouths. This alphabet a tattoo or a cattle brand: ownership, possession. This alphabet never meant to let us speak! Meant to strangle us like the umbilical cord of a mother who hates her bastard child.

Uppercase, lowercase, block letter, cursive, all clattering chattering like teeth, nipping at our flesh, tasting us, gnawing at us with scythed edges and wide grinding surfaces. They strip us of our names, one tiny peck at a time. Eat through skin, muscle, fat, bone; head for the marrow, spreads through our skeleton. Poison that erases memory, replaces it with obedience.

This alphabet that some of us endure. Learn to bear. Our skin grows more callused. Our scars become our art. This alphabet we chew on as starving children chew on grass or suck on pebbles to push back hunger. This alphabet of conquest that was never meant to serve us, speak for us, fight for us. This alphabet of razor wire we take into our hands, twist to our own bloody testimonies. This alphabet that gnawed its way inside of us, and with which we now carve our way back out from silence.

4.
You ripped out our tongues:
language, prayer, song, medicine, history,
teachings, connection, home.
You shoved this alphabet down our throats
so we could write the names you gave us
on treaties, add the names of our children
and our dead to the back of a Bible,
keep track of our numbers, remember our place.
A special kind of literacy that grants us the right
to read your grocery lists, sweat in your factories,
drive your trucks, pay taxes, but never
tell our own stories.

You never thought we could learn
to wield these letters for ourselves,
write our humanity, make new songs,
become poets or lawyers  – redefine words
like warrior or strategy.

This alphabet. This charm.
This code of conquest made into codex
of creation. You never thought
we could appropriate your weapon,
re-shape it into a tool with our torn hands, carry it
on our scarred backs all this distance,
all these years.

You never imagined this: 
your alphabet betraying its duty,
defecting to our cause, going Native,
becoming indigenous to this land because
we give birth to it with our blood. No wonder
our books are banned, our children told
don’t read that, don’t write that. Don’t read,
don’t write. Don’t. No wonder you want us
illiterate again. We’ve learned too much.

You want your alphabet back;
all 26 letters, unharmed, unchanged,
well-behaved letters that don’t curse
or tell ugly truths.

Our Storyteller, she tried to warn you.
Like rape, like smallpox,
like massacre: that alphabet
is already turned loose.
It’s already coming.

And we won’t give it back.

—Deborah Miranda
(published 4/1/13)

Tongues: A Language Acquisition Resistance Journal


1. A Lesson in Endings

Gender nails this language down,
our instructor says, ¡atención!

Endings in ‘a’ signify feminine;
‘o’ masculine. However

there are exceptions—always
the most interesting, ¿no?

Por ejemplo, you would think
the word for “language”—idioma—

is feminine, but it is preceded
by “el.” El idioma. The word

becomes male almost by force, ¿no?
On the other hand, smiles La Profesora,

Spain has other languages,
once hidden. During Franco’s reign

these were forbidden—el catalán,
el gallego, el vascuence.

The people in Cataluna, Gallicia
and el Pais Vasco buried their subversive tongues.

Now that Franco is gone, they fight
for separatist rights. Bombs, terrorismo.

La Profesora pauses, brushes back her hair.
Next, we look at plurals.

At home in the evening
wanting to water sunflowers,

I tell my son turn on the hose,
gracias mi’ijo. For some reason

he asks, how do you say God
in Spanish? I remember mi profesora says

Gracias a Dios. My eight year old
asks, and Goddess is … ?

I want to say Dias, to be logical,
but of course that means days.

My son says, The whole day is a goddess!
No, mi’ijo. Gender nails this tongue to the cross.


2. Questions of Conversion

Father Arroyo de la Cuesta, attempting to preserve in written form the various Indian dialects heard around him at the Mission, wrote, “a verb with no past tense is above my comprehension but I will ask God’s help and will learn, though it take bloody tears.”

How do you conjugate
the verb ser (to be)—

when you have been
declared extinct?

How do you produce
the formal usted

when the priest teaching it
rapes you?

I want to know—
when did my ancestors

begin dreaming in Spanish,
make love in Spanish?

When did our tongues
convert?

I know our first words
were a foreign prayer.

Amar a Dios—
the only instruction

necessary before baptism
with magical water,

sign of the cross
between blows.

Amar a Dios.
Who was the first Indian girl

to be named Maria?
Who was the last Indian child

to be given an Esselen name?
How can I pronounce

those alien names
written in Castilian script

filling the black ledgers?
They are only skeletons

anyway, not the heart
or flesh of a people.

Will I ever know
how they sounded

coming out of an Esselen
mouth—called by a grandparent,

sister, lover, child,
mother, river?

Did someone hide my name
in that parchment, bury it

—forget the way back?



3. Oral Tradition

Silence is a long story,
a complex art left

to descendents
of native speakers.

Ribboned palm fronds
hang absolutely still.

A thousand tongues
that don’t move,

yet exist whole
and fully formed.

Sometimes I dream
in Spanish. My mouth

moves in all the proper
patterns: the rolling r,

delicate placement
of tongue against teeth,

subtle slip of consonants.
But in the morning

I taste
a tide of blood,

slick iron in my
traitorous mouth.



4. Vocabulario

Every time I learn a Spanish word
I want to know the Esselen word

it replaced. I am forty-six
years old before my sister

uncovers the ethnologist’s
vocabulary notes. At last

between my teeth
I clench the Unholy Trinity:

English, Spanish, Esselen.
Water. Agua. Asanax.

Bear. Oso. Koltala.
Earth. La tierra. Madsa-no.

I laugh. How can I shape
a third language to describe

a second language that
destroyed the first language?

This language:
blade to slice my tongue.

Este lengua:
un beso como un cuchillo.

nishwelel, kumal:
sever our bonds, tear the gag

from our mouths.
Remember us.

—Deborah A. Miranda
(published 4/1/13)

Milagros

for Linda

Miracles made of punched tin:
arms, heads, legs,

bottles, cows, Jesus, eyes,
penitents, sacred hearts,

keys, trucks, cactus,
chalice, lungs, Mother Mary.

Heal me, fix that, bless him,
remove this, send us a vision!

Oh battered milagros, stand-ins
for what we can’t say,

must have, will die without.
Shine like a rich man’s silver,

catch the fickle fancy of god,
carry each clumsy prayer

to his hand. What wouldn’t we give
just to jingle in his pocket,

know someone hears the tin tin tin
of our poor voices?


—Deborah A. Miranda
(published 4/1/13)

Novena to Bad Indians

“The only good Indians I ever knew were dead.”—General Philip Sheridan

Day 1.

Indian outlaws, banditos, renegades,
rebels, lazy Indians, sinful Indians, you gamblers
who squatted out behind the church instead of assuming
the missionary position behind the plow;
oh, lusty Indians who tied bones to sheets
thrown out of the women’s monjeria, climbed
up that swaying skeleton of salvation
and made unsanctified love all night, oh,women
who tossed down those sheets, hear my prayer.

Day 2.

Hail troublemakers, horse thieves, fornicators, I implore
you, polygamists, Deer Dancers, idol-worshippers,
chasers of loose women, heathens who caroused
in the hills, stole wine from the sacristy,
graffiti’d Indian designs on the church wall,
told Coyote stories instead of practicing Catechism,
torched mission wheat fields, set fire to tule roofs,
ran away, were captured, flogged, put in stocks or irons,
ran away again—help me, suffer me, in this hour of loss.

Day 3.

I ask for your grace, you dirty Indians, you stupid Indians
who wouldn’t learn Spanish or English, lazy bastards
who mumbled “no quiero,” when asked to load wagons
with tons of stinking skins, who chased the bottle
instead of cattle, who were late for Mass, confessed
everything and regretted nothing, took the whip
thick as a fist, laughing; you who loved soapstone
charms, glass beads, eagle feathers but wouldn’t learn
proper usage of land or gold; have mercy on my weakness.

Day 4.

Queens of earth, you women who sold yourselves
for a tortilla, a handful of beans, the dog’s meat;
sons of incorrigible cattle thieves like Juan Nepomuceno
who could no longer find elk or deer or salmon;
cabecillas, ringleaders like Hilario, who endured
the novenario for throwing a stone at a missionary –
twenty-five lashes on nine separate days – and then,
on nine consecutive Sundays, forty more, oh my martyrs
grant me strength, grant me courage in my desperation.

Day 5.

Oh magnificent Aniceto, who refused to name thieves
of money, chocolate, shoes, string, knives from the presidio –
thirteen years old, you took a flogging in silence;
oh renowned Yozcolo, alcalde from Mission Santa Clara
who raided mission stores, freed two hundred women
from the monjeria; dear Atanasio, found guilty of stealing
from the comisario, shot dead by a firing squad at seventeen
years of age, begging for your life as you knelt in the estuary
at Monterey – guide me out of the stone walls of this cell.

Day 6.

Accept my praisesong, you women who aborted
pregnancies conceived in rape by soldier or priest,
attend me, barren Indian woman stripped and prodded,
who refused to let Father Ramon Olbes examine
your genitals or test your fertility – you, who bit him,
suffered fifty lashes, shackles, imprisonment, a shaven head,
forced to carry a wooden false baby for nine days;
blessed Apolinaria, midwife, curandera, dancer,
keeper of potent medicines – heal me.

Day 7.

Ever full of faith, Pomponio, who cut off your heel
with your own knife to slip out of leg irons, terrible
heart of Toypurina, shaman revolutionary who dared
raise your gods against Spain’s, blessed Chumash woman
who heard the earth goddess Chupa tell you to rebaptize
neophytes in the tears of the sun; Licquisamne,
most merciless Estanislao, telling the Padre,
“We are rising in revolt . . . we have no fear
of the soldiers”; make me unrepentant.

Day 8.

Oh valiant Venancio, Julian, Donato, Antonio,
Lino, Vicente, Miguel, Andres, Emiliana, Maria Tata
who suffocated Father Andres Quintana at Santa Cruz
before he could test his new wire-tipped whip;
oh Nazario, personal cook to Fr. Panto at San Diego,
who slipped 'yerba,' powdered cuchasquelaai,
into the padre’s soup after enduring 124 lashes
(you said, “I could find no other way
to revenge myself”); I beseech your tenderness.

Day 9.

Oh unholy pagans who refused to convert
oh pagans who converted, oh pagans who recanted,
oh converts who survived, hear our supplication:
make us in your image, grant us your pride.
Ancestors, illuminate the dark civilization we endure.
Teach us to love untamed, inspire us to break rules,
remind us of your brutal wisdom learned so dearly:
even dead Indians are never
good enough.

—Deborah A. Miranda
(published 4/1/13)

Note: The source of this poem, besides all the “Bad Indians” I found in my research (these are all true stories), was an article from the New York Times titled “Bad Indian Goes on Rampage at Santa Ynez.”

This poem first appeared in Bad Indians: A Tribal Memoir, by Deborah A. Miranda (Heyday Press, 2012). We thank the publisher for permission.