Amazing Watercolor Fish / El asombroso pez acuarela

author: Carolyn Dee Flores

illustrator: Carolyn Dee Flores

translator: Carmen Tafolla 

Piñata Books / Arte Público Press

2018 

preschool-up

As a lonely pet goldfish imagines the world outside of her tiny fishbowl, she encounters another fish in a bowl on the other side of a wall of books that separates them. Communicating with each other through fantasy and colors, they begin to see just what their worlds might look like without the barriers. 

Each page—consisting of vibrant and expanding visual art and partnering poetic storytelling in English and Spanish—contains hints that, when youngsters perceive them, add to the significance of the tale. 

Flores’s art—on a palette that begins with velvety-textured pencil drawings of a sad goldfish and her limited fishbowl environment and, page by page, expands to include increasingly layered translucent watercolors that give them more saturation—reflects the many colors and textures of the outside world the goldfish imagines and fills in with her own brush and watercolor paints—a world she can’t see behind the wall of books. At the same time, another lonely pet fish on the other side uses his brush and palette to communicate with her across the seemingly insurmountable barrier of books which, towards the middle, are beginning to fall open. And towards the end, the books have toppled and the two fishes are swimming together in one bowl. 

Youngsters might recognize that the pencil drawings represent the drab realities of the fish and their separate environments, and, as the translucent colors are layered on, their worlds become bigger and more imaginative and joyous—and maybe, their lives are expanding as well. Younger listeners may not immediately be able to interpret some of the visual symbolism here—or they might after a few back-and-forth page turns: the table top might be a continent (far off are tiny images of the Egyptian pyramids and a sailing ship), the toppling books might be continental divides or national barriers or The Wall, the water gushing out of the open door might be the fishes’ expanding world—the one that they had imagined and is now real.

Both Flores’ English and Tafolla’s Spanish rhyming poetry reflect their own and each other’s playfulness with the story, words and syntax, and together, present a rare cultural and linguistic collaboration. They have created two different and compatible ways of looking at the world; two kinds of poems that work beautifully and bounce off the art. 

Indeed, to read the English and Spanish versions alongside each other—the open, uncomplicated, rhyming English version and the “gran fantasía dramática” of the rhyming Spanish version—is a treat for hablantes, for English-speakers, and for bilingual readers alike. 

The Amazing Watercolor Fish / El asombroso pez acuarela is a gentle, powerful statement of acceptance, togetherness and friendship. Without hyperbole, without polemic—but with lots of symbolism—Flores’ and Tafolla’s loving and lovely story suggests the importance of jumping the walls in these challenging times. 

*Highly recommended for all home, classroom and library collections.

—Beverly Slapin

(published 9/30/18)

That’s Not Fair! Emma Tenayuca’s struggle for justice / ¡No Es Justo! La lucha de Emma Tenayuca por la justicia

author: Carmen Tafolla

author: Sharyll Tenayuca 

translator: Carmen Tafolla

illustrator: Terry Ybáñez 

Wings Press, 2008 

grades 2-6 

Mexican American

 Born in 1916 in San Antonio and raised by her grandparents, Emma Tenayuca was an activist since childhood. Her grandfather, who read newspapers with her and took her to rallies that confronted issues of poverty and hunger, fed the young girl’s own hunger for learning and social justice. By the time she was 16, young Emma had already been jailed several times. “I never thought in terms of fear,” she later said, “I thought in terms of justice.” A brilliant orator, activist and educator at a time when Mexican and Mexican American women were not expected to speak out, Emma became known as “La Pasionaria,” and took on one battle after another. In 1938, Emma was asked to lead the strike of some 12,000 pecan shellers, most of them Mexican women; and in fewer than two months, they forced the factory owners to raise their pay. This historic victory was the first significant win for Mexican American workers in the struggle for political and economic justice.

Co-authored by Emma’s friend, Carmen Tafolla; and her niece, Sharyll Tenayuca, That’s Not Fair! is a coming-of-age story of a child who is moved to action by the poverty and injustice she witnesses all around her. Such as hard-working people denied their pay. Such as hungry children subsisting on a few pecans, dropped from a tree. Such as migrant farm worker children denied an education. At first, young Emma gives her apple to a hungry boy and her new sweater to a thin, shivering mother and baby, and begins to teach a girl how to read. But she soon realizes, as she sobs to her grandfather: It’s not fair!

How Emma the child, learning from her gentle grandfather, matured into Emma the organizer who led the mostly Mexican, mostly women pecan shellers (nuceras)—who “worked so many hours that they were coughing and sick, and still they did not earn enough to feed their children” while factory owners “had so much money they would throw away…food that the workers wished they could give their children”—is a story that will resonate with young children.

Tafolla’s idiomatic Spanish translation reads smoothly and works, both orally and in print, for hablantes; and an afterword that contains photographs of Emma Tenayuca and biographical information completes the story.

Ybáñez’s full-bleed double-spread illustrations, rendered in watercolor and pen-and-ink on a palette of bold, flat colors with bright highlights, are reminiscent of traditional Mexican murals. While Emma’s red sweater on almost every page focuses the reader’s attention on the subject, the pecan trees and branches that frame each illustration focus the reader’s attention on the issue. I especially like that, while the people’s faces are generally stylized, their complexions are realistically varied.

While the reading level for this excellent story might begin at about third or fourth grade, younger children will be drawn in as well. I’d like to see a copy of Emma Tenayuca’s inspiring story gifted to all refugee children being held in the border-town detention facilities. An important book about a child’s confronting injustice and growing up to make a difference, That’s Not Fair! Emma Tenayuca’s struggle for justice / ¡No Es Justo! La lucha de Emma Tenayuca por la justicia is highly recommended.

—Beverly Slapin

(published 11/28/15)