illustrator:
Lynne Cherry
Scholastic, 1990
preschool-grade
3
Brazilian
The world’s
tropical rainforests are being destroyed at an alarming rate by multinational corporations, deforestation operations, road
paving, cattle ranching, and, in Central and South America, the runaway
eco-tourism industry.
All of this is implied in Cherry’s myth-like
tale of a lone woodsman who is assigned to chop down a huge kapok tree in the
forest. After a few whacks, he sits down to rest and is lulled to sleep by the
“heat and hum of the forest.” While asleep, the woodsman is visited by
creatures who live in the forest—a boa constrictor, a bee, a troop of monkeys,
a toucan, a macaw, a tree frog, a jaguar, four tree porcupines, “several
anteaters,” and a three-toed sloth—who each tells him how this tree and
everything in the forest is intricately related to each other.
And finally, “a child from the Yanomamo tribe
who lived in the rain forest” joins the creatures and whispers into the man’s
ear, “Senhor, when you awake, please look upon us all with new eyes.”
The woodsman awakes with a start.
Before him
stood the rain forest child, and all around him, staring, were the creatures
who depended upon the great Kapok tree. What wondrous and rare animals they
were!
He takes in everything: the “sun streaming
through the canopy,” the “fragrant perfume” of the flowers, the “steamy mist
rising from the forest floor,” and he knows he must make a decision.
The
man stood and picked up his axe. He swung back his arm as though to strike the
tree. Suddenly he stopped. He turned and looked at the animals and the child.
He hesitated. Then he dropped the ax and walked out of the rainforest.
In The Great Kapok Tree, Cherry has
produced an abundance of information about the flora and fauna of the rain
forest, and about the necessity of preserving it. Her gorgeously rendered
double-page spreads, in watercolors and colored pencils—on a palette of subdued
earthy forest tones of mostly browns, greens and reds—aptly convey the beauty
of the endangered rainforest ecosystems. And there’s a helpful world map that
shows both the rainforests’ original extent and how much of them is left
today.
However, two things
trouble me about this story. One is that children might see the struggle to
save the rainforests as merely about convincing individuals not to chop down
trees—rather than about stopping the multinational corporations intent on
chopping up the magnificent biospheres into marketable pieces. The second
problem is that Cherry apparently drops in the “child from the Yanomamo tribe”
to illustrate how the destruction of the rainforests affects humans as well as
the forest creatures. But it’s unlikely—even in a myth—for a young child to be
hanging around with a bunch of wild animals. It weakens, rather than
strengthens, the story.
Lynne Cherry
dedicated this book to Chico Mendes, a third-generation Brazilian rubber tapper, human rights
activist and trade union leader who was assassinated by a rancher who would
have profited from logging an area that had been planned as a reserve.
Rather than the tale
of the rainforest’s being threatened by a single man with an ax who is then
easily convinced to walk away, I would rather have seen a children’s version
about how the Indigenous peoples of Brazil, together with local trade union
activists and supporters around the world, are fighting to preserve the Amazon
rainforest. Even the youngest children are capable of understanding the
complexities of problems such as this one—and thinking about solutions.
So—but only as a
jumping-off point for classroom discussions, research and activities about the
struggle to save the world’s rainforests—The
Great Kapok Tree is recommended.
—Beverly Slapin
(published 5/23/13)
(published 5/23/13)
Thank you for asking, KC. No, THE GREAT KAPOK TREE is not a folktalle--it's fiction. And it's recommended ONLY as a jumping-off point for classroom discussions, research and activities about the struggle to save the world's rainforests.
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